Beethoven's Hearing Loss & Its Effect On His Music Research Paper

Beethoven's Hearing Loss & Its Effect On His Music - Research Paper Example He was born in 1770 and in around 1800, his hearing sense started to deplete with every passing day and in some years, he was totally deaf to hear anything around him. This sorrowful event in his life did not only affect his life, rather his whole career was at the stake and he had to abandon the pianist classes and performances. Ludvig continued to compose different lyrics for music and shows but his art of singing and performing live was depleting swiftly. He was of the view the music is being affected badly by his performance being deaf. Dissonant harmonies are a must to feel and hear when you are performing on a public platform to imbibe and integrate the learning capacity in music. He as not unable to hear anything thus he had to leave singing and performing in the general masses1. The early strike of deafness isolated Ludvig Beethoven because of the fact that this great artist was at the peak of his career when the deafness started. Experts are of the view that if this deafness would not have been struck Ludvig , he would have become a great director and virtuoso pianist. Ludvig was a man of a few words form the very first day and his aim was only to performance rather than to speak but deafness forced him to stay out of any social circle. The deafness was very slow and growing erratically. The slow augmentation of hearing problems broke the heart of Beethoven and pushed him to leave his career. Many artists tried to make Ludvig understand the fact that there is a peculiar originality in hiswork because when person hears other sounds, there is an increased chance and tendency of copying the content whereas in case of Ludvig, there was uniqueness and creativity not only in his work but also in his style, his pianist approach, his lyrics but all these motivation could not inject the sense of performing and singing in front of people because he thought it would affect the music itself. When Ludvig was 26 years old, in the year of 1796, he started to experien ce the symptoms of deafness when he heard the tinnitus, a "ringing" in his ears. According to the letter written by Beethoven to his friendin 1801, it is depicted that Beethoven always wanted to continue his career at the start when the magnitude of the deafness was not known to anyone. He wrote to his friends that these days heis suffering from hear loss symptoms and how he is much worried about the effect of this problem on his profession. Beethoven continued to go for the musical concerts and public events despite of the deteriorating hearing condition. In the stage performance of his Ninth Symphony, he had to move his face towards the audience to experience the big applause on his performance. He was so shocked on this that he wept in front of the whole audience2. Many experts and historians are of the view that Beethoven wanted to appear in pubic even after the depletion of his hearing power because at the start, he said that hearing has nothing to do with singing and I can con tinue with my career. But after a failed public attempt in 1811 to perform his own Piano Concerto No. 5 (the "Emperor"), he never tried to perform in public again and his perception about the links between deafness and singing were revamped. He said that due to the inability to understand and evaluate one’s performance with his own ear, it is not possible to keep